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I've been an artist first and
foremost in my life and tend to look at all of my projects -- business
or otherwise -- as conceptual works in progress. I never know how a
piece is going to look when it's completed; I tend to work in very
broad strokes at first, homing in on different areas to fill in
greater detail until the finished piece finally emerges. As often as
not, the final result ends up being as much a surprise to me as it is
to others. Such is art and such is life.
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All artwork
©
2005 Robert Lee
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The watercolor pieces were painted for a friend's line of Caribbean salsas. The products were sold to a
wide range of chain grocery stores in the Southeast and Southwest. Logotypes were created for each flavor and then placed in
over the artwork to create the film and final plates for printing.
Two
of the pieces -- Pinball and Parking
Meter -- are paintings from a series on coin-operated
machines. Each of the 10 paintings in the series was a high-realism
portrait of a different coin-operated machine that served human beings.
Every piece was intentionally devoid of people and served to depict the
subtle but creeping prevalence of machines in society. Pinball machines,
jukeboxes, parking meters, Laundromat washers and dryers, soda machines --
anything that you put money into and got something out of. Every painting
contained unique visual challenges to solve: reflections in backlit glass,
clouds reflected on convex glass surfaces, neon lighting in a Wurlitzer
jukebox. Painting is hard work.These two
pieces were part of that collection completed over a couple of years and
became part of my last one-man show in the early 70's. 'Pinball' survived
the Thanksgiving 2002 fire but took a lot of cleaning to restore most of
its original color. Mixed into this slideshow
are assorted airbrush (and other media)
pieces mostly done during my time in Key
West. Many were done as illustrations
that were eventually reproduced as
postcards and business cards.
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